W: Michelangelo Antonioni, Tonino Guerra & Edward
DP: Carlo di Palma
Ed: Frank Clarke
Mus: Herbie Hancock
PD: Assheton Gorton
Cos: Jocelyn Richards
David Hemmings (Thomas), Vanessa Redgrave (Jane),
Sarah Miles (Patricia), Peter Bowles (Ron)
Not many films capture the swinging sixties of London quite
the way Michelangelo Antonioni's 1966 thriller does, though the plot of the film is far from being about the culture of the time, but rather a mysterious drama about the power of
Professional photographer Thomas captures a seemingly innocent
romantic moment between a couple in the park and is accosted by the woman (Jane) who demands that he turns the photographs over to her. Later, after developing the pictures, Thomas is convinced
that he has captured a crime on film, but events conspire against him as he searches for the truth.
Antonioni's film is full of surrealist touches which make it
much more than your standard thriller, including a photoshoot scene which has become an icon of popular culture. The more adult scenes of the film pushed the boundaries of the production code,
which existed at the time and was abolished shortly after.
Looking back at it from a modern standpoint, some will wonder
what all the fuss was about, but it still can't be denied that this was one of the most commercially successful art films made during the decade and still remains one of the most influential
films of the 1960's.